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Mastodon then released Crack the Skye in 2009, The Hunter in 2011, Once More 'Round the Sun in 2014, Emperor of Sand in 2017 and Hushed and Grim in 2021, which entered the Billboard 200 at number 11, number 10, number 6, number 7 and number 20 respectively.

In the same year, Mastodon released their major label debut, Blood Mountain through Reprise Records, peaking at number 32 on the Billboard 200 chart. In February 2006, Mastodon released two records-first, a compilation of their first two EPs, titled Call of the Mastodon, and shortly after, the video album, The Workhorse Chronicles. After a tour promoting the album, Mastodon released their second studio album, Leviathan, in August 2004. Mastodon released their debut extended play, Slick Leg in 2001, before signing with Relapse Records and releasing their second EP Lifesblood the same year, followed by the band's first studio album in 2002, Remission. The band was formed in 2000 by guitarists Brent Hinds and Bill Kelliher, bassist and vocalist Troy Sanders, and drummer Brann Dailor, in Atlanta, Georgia. The discography of heavy metal band Mastodon consists of eight studio albums, two live albums, three compilation albums, one video album, six extended plays, 27 singles and 23 music videos. Album DescriptionMastodon performing live at the London Forum in 2007 See More Your browser does not support the audio element. As such, its urgency, sophistication, and emotional heft make it a necessary entry in their catalog. In order to be true to themselves, Mastodon had to make Emperor of Sand at this time. Arguments about quality should go beyond the aesthetics to embody process and honesty, which are what ultimately matters.

That said, it's easily on par with The Hunter and stronger than Once More 'Round the Sun, while being more diverse than any record they've cut. Emperor of Sand is not perfect it doesn't attain the glories of the first trilogy. The eight-minute closer 'Jaguar God' develops slowly and methodically from a lament to a dirge to a raging prog metal storm, offering a panoramic example of everything that makes Mastodon special. It's almost predictable, but it's not boring, and Mastodon's body of work has led listeners to expect it. The guitar interplay between Brett Hinds and Kelliher is, as usual, flawless, and the spastic drum and basswork of the rhythm section remains some of the most expansive in metal. Elsewhere, such as on 'Show Yourself,' 'Ancient Kingdom' (both suggesting the influence of late-era Hüsker Dü), and 'Andromeda,' the focus shifts to hooks and melody first the punishing riffs and monstrous drum fills are there, but are subservient. 'Sultan's Curse,' 'Roots Remain,' and the anthemic 'Clandestiny' all roar with the bone-quaking riffery and roiling drum grooves, offering dynamic harmonic breakdowns, great solo spots, and plenty of fire. While the conceptual framework harkens back to the early trilogy, the songwriting on this date is more reflective of the integrative styles on The Hunter and Once More ‘Round the Sun. Leviathan) Emperor of Sand's narrative is relatively simple. In an interview, bassist/vocalist Troy Sanders added weight to the expectations for the album: '.17 years in the making…it ties into our entire discography.' Unlike their other conceptual endeavors (i.e. The return to concept is accompanied by the re-enlistment of producer Brendan O'Brien (he helmed Crack the Skye). The notion of time's eternal passage haunts every song here. The music grew out of long jams intended to address his grief and help him heal. The concept is poignant: guitarist Bill Kelliher's mother passed away from brain cancer in 2016. Desperate, he attempts to communicate telepathically with tribes of various races and historical periods to make rain fall and stop that progression. To escape, he flees into the expanse of the geography's emptiness, but the further he goes, the more lost he becomes in the sand as an unrelenting sun begins to claim his energy and ultimately his body - think radiation poisoning. Its dominant theme is of time running out, and its 11 tracks offer an allegorical story of a man handed a death sentence by a desert sultan. Like their first three albums (and unlike their last two), this is a concept album. It was written in difficult circumstances emotionally and creatively. Mastodon set the bar high with Emperor of Sand.

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Purchase and download this album in a wide variety of formats depending on your needs.